Their belief in and support of her need to create a critically needed platform for Black voices to be heard in the Southwest was vital. Through the inspiration of this national movement she created a space for underserved artists to present works that would heal and serve Phoenix’s African American community, as well as start to build a bridge between cultures.
During its fledgling years Black Theatre Troupe performed in several city facilities including the community room at Sidney P. Osborn Housing Projects as well as the Amphitheatre at Eastlake Park in downtown Phoenix. In 1976 they secured a former LDS Church at 10th Street and Moreland. In 1981 the building stood in the path of the planned Papago Freeway and the Deck Park. After a campaign spearheaded by community, corporate and the city leaders they rallied to purchase the company’s first permanent and mortgage free facility at 333 East Portland in downtown Phoenix in what is now known as the Roosevelt Row–Churchill District.
The company continued their strong relationship with Eastlake Park community and continued to often use the historic parks Amphitheatre.
In the 2006 city of Phoenix bond election, the taxpayers voted millions of dollars to fund the capital projects of four of the City’s cultural institutions. This included an award for The Black Theatre Troupe to secure a larger facility.